Thursday, 25 February 2010

Bananas!

Back in November 2008 I published a post celebrating Victory For The Different! After years of massive food waste, the European Commission had at last agreed to abandon the laws that dictated the look of Europe's fruit and vegetables. For the previous two decades, EU legislation had meant that greengrocery which failed to meet the "perfect profile" in terms of shape, size and absence of blemishes could not be sold for direct consumption. Wonky cucumbers and comedy carrots were outlawed and only perfect-looking produce could be found on supermarket shelves. One of the first challenges to the law came from Waitrose, when in 2007 they introduced Class II produce, offering ugly fruit to their eco-conscious customers. A year later the EU caved in to pressure from the green lobby and we celebrated a wonderful victory for ugly fruit, sexy vegetables and non-conformist people.

According to the French, Spanish and Hungarian protectionists, it's not an EU-compliant banana
Fifteen months later and the protectionist farmers are back. Greater availability of food and the introduction of new competition into the expanded European markets had resulted in significant price reductions during the intervening period... and the French, Spanish and Hungarians are not happy about it. Their massive agro-industrial producers could afford the physical handling and computer-aided sorting equipment necessary to manage compliance with the EU legislation, whereas the smaller local growers couldn't afford to go down that path. The ending of the 'ugly fruit ban' meant that the market dominance of the few was challenged and the consumer benefitted hugely as a result. But a few days ago, led by Spanish MEPs, the European Parliament's Agriculture Committee voted to bring the ban back.

The proposed re-introduction will now go before the European Parliament where, hopefully, it will be thrown out. "Food is food, no matter what it looks like", said Timothy Kirkhope, Conservative MEP for Yorkshire and the Humber. "To try to stop stores selling perfectly decent food simply because of its shape or size is morally unjustifiable, especially when we are worried about global food supplies and still in the mouth of an economic downturn." His colleague Richard Ashworth MEP described the Spanish-led move as "nonsensical" and UKIP Euro-MP Stuart Agnew said: "They are crackers."

When the debate first started back in the 1970s after the establishment of the European Community, the tabloid newspapers revelled in stories about rules defining the shape and size of bananas, which became an iconic target for eurosceptic fun in the years to follow. Ironically, however, bananas are one item of produce that has never been covered by the legislation, being covered by other laws. But the papers were never going to let the truth get in the way of a good story. And with the picture above, neither am I.

Thanks to -eko- for the Magritte-inspired banana photo.

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Monday, 22 February 2010

Mugaritz Fire - Stagières' Knives Appeal

Early last Monday fire severely damaged the kitchens at Mugaritz, the world-famous restaurant in Spain's Basque Country. Luckily, no-one was hurt. For the management and staff of Mugaritz, the destruction of their workplace was a tragedy. But for three other young people, this was also a calamity.

Stagières are unpaid apprentices, usually young, without whom no top restaurant can function. Driven by a common passion to learn from the world's best chefs, they travel from all corners of the globe to train at world-class restaurants.

When the dust settled on Mugaritz after last Monday's inflagration, Mattias from Sweden, Diego from Guatemala and Greg from the US found themselves without their most valued possessions. Their precious knife sets, not covered by the restaurant's insurance, had been incinerated. Read Greg's story here.

This is something I understand well - two and a half years ago I set off for Spain as a novice stagière myself. It's taken me years to put together my knife set, so I know exactly how devastated these lads now feel and I want to help set up a fund to help them recover their combined $2,500 losses and re-equip themselves for work. They lost some great tools, including knives by Forschner Victorinox, Kasumi, Porsche, Nenox, Misono, Kikuichi and Wüsthof.

Many of you will be familiar with John Sconzo of Docsconz - The Blog. John is a food blogger widely known across the world of hospitality and he has kindly volunteered to set up and administer the fund. Can you please help with a personal pledge? Donations will be so welcome, no matter how large or small. Email John at docsconz[at]gmail[dot]com with your pledge and he will get back to you as soon as possible with details of exactly how you can contribute to the fund. Would food bloggers please copy this post and publish similar appeals (email me for text and picture). Together we can make so much difference to a group of people who really deserve our support.

UPDATE: We now have a donation page on firstgiving for anyone able to contribute by credit card. Other methods of contributing to the fund can be arranged by emailing John Sconzo or myself.

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Thursday, 18 February 2010

There's A Fire In My Kitchen

A couple of years ago I wrote a critical review of dinner at Mugaritz. It's not something I regret because I've changed my mind about what happened on that particular evening, or because I no longer think I should be honest in expressing my opinions. What I do regret is that I never took the time since that post to balance the books. I'd like to make amends for that omission now.

When Twitter alerted me to news of the fire that broke out in the kitchen at Mugaritz in the small hours of Monday morning, my immediate reaction was one of shock. Only a few hours earlier I'd been relaxing with someone very special, enjoying the delights of a Saint Valentine's Day meal at The Providores. The news shattered the peace of a soft, dreamy morning. My first thought was for my friend Gilbert from Comerç 24, currently working as Pastry Chef at Mugaritz. I checked the web for news of whether anyone had been hurt, my thoughts turning to everyone else who'd been in that kitchen earlier in the day, from the porters and stagières to the boss Andoni Aduriz. Mercifully, there were no casualties. The destruction of years of work in just three hours of inflagration was tragedy enough, but at least the kitchen had been cleaned down and the restaurant closed for the weekend before the events unfolded.



That evening I spent back in July 2008 at Mugaritz was little more than another fine dining experience to me, though I'd been strongly urged to go there by two chefs whose opinions I highly respected - Nuno Mendes of Bacchus and my then boss Arnau Muñío of Comerç 24. Ironically, it was my meal the following night a few miles west along the Basque coastline that began a train of culinary education that was to fundamentally alter the way I was to come to view Aduriz and his achievements. Looking back now at my review of The Guggenheim Bilbao it's clear that I still hadn't quite grasped what Martín Berasategui had taught his protégées Alija and Aduriz, although 18 months later it's clear as day. Almost everything I've done since has been driven by that school of ingredient-led cooking - dishes seeking to bring out the very best of perfect ingredients, sometimes with complex processes of deconstruction and preparation, but with purity and simplicity of presentation. I spent a large part of last year learning some of these skills alongside one of Mugaritz's most talented sons - Paco Morales of Restaurante Ferrero.

Mugaritz will rise again like a phoenix from the ashes of Monday's fire and it will continue to inspire young chefs to travel across the world to learn the art of cooking. I wish everyone associated with the restaurant and its brilliant team all the very best of luck in the days and weeks to come.

Meanwhile, in case you were wondering why I've been so silent about my plans since I returned to England, let me reassure my readers that there's still a powerful fire in my metaphorical kitchen. That fire was stoked high a few nights ago when I spent an amazing evening working alongside a truly great chef and his team. I'd love to be able to tell you what I'll be doing in the coming months, but I have some more thinking, discussing and planning to do before I can say anything more. Rest assured that I'll be bringing some great personal stories to this blog in the near future.

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Wednesday, 10 February 2010

Spanish Roundup - Two Great Restaurants

Most bloggers find themselves from time to time with some half-written posts that somehow never got completed and published... and I'm no exception. Looking through the drafts on my testbed the other day I found partial write-ups of two Spanish fine dining experiences that I want to share with you before I move on to the new phase of my career. These restaurants are Espai Sucre in Barcelona and Torrijos in Valencia - and both thoroughly deserve to be listed amongst my greatest dining experiences in Spain.

Let's start with Espai Sucre (Sugar Space). There's something very funny - in a puerile sort of way - about tucking yourself in a corner and stuffing yourself with sweets. Going to a "dessert restaurant" taps into that vein of guilt associated with scoffing a whole chocolate bar or adding three spoons of sugar to your coffee. But Espai Sucre isn't really like that at all. Jordi Butrón and Xano Saguer are professional pastry chefs alright - they run a patisserie school on the premises, training students in the fundamentals of "restaurant-style pastry making". But when they apply these skills to their restaurant menu, the intention is to transcend any normal convention of dessert-making. As they put it: "Espai Sucre restores the restaurant-style dessert as an element with its own personality and codes, where the result of combining technique and experience shades away the limits that separate the notion of sweet and savory elements." In other words, it's the dessert's addendum role - the guilty pleasure of something sweet enjoyed after real savoury food - that Butrón and Saguer set out to overthrow.

Espai Sucre Patisserie School and Restaurant de Postres
So what qualifies a pastry chef to challenge the received orthodoxy of centuries of gastronomy? Like many Catalan chefs, Butrón studied at Barcelona's Escuela de Restauración y Hostelería, before taking an apprenticeship at the famous Pastelería Escribà where he learnt his trade as a pastry chef. He took stages at three of the most creative restaurants in Europe - Pierre Gagnaire, Michel Bras and El Bulli, returning home to take up a post at Jean Luc Figueras. His experiences at these centres of gastronomic excellence taught Butrón that second place is not good enough. Desserts deserved their own tasting menu, he concluded, with a natural flow from the light, acidic and refreshing to the heavier, more robust and more tightly constructed. With no elements barred from the new, liberated desserts.

Butrón codified his position as follows:

1. Flavour is the priority. Technique and aesthetic are complementary means of increasing quality, remaining faithful to the original flavour.

2. The monopoly of sugar is to be ended. The range of tasty possibilities is widened to include sweet, salty, bitter, acidity, spicy, sweet and sour.

3. There should be respect for tradition, but the use of new techniques, products and tools permits better control over the flavour.

4. The arrangement of food components is an essential variable as flavour may differ according to the ingredient placement.

5. We must introduce immediacy into assemblies, expanding the options for hot/cold combinations, volumes, etc.

6. The dessert is an independent discipline with its own codes and specialists, but there must be close relationships with the world of savoury cuisine.

7. The most important intangible element of a dish is a discourse (idea, concept, theme, argument) which invisibly transcends the components.
Jordi Butrón

There's nothing new here. Principle #9 of Pau Arenós' Ten Fundamental Principles of Technoemotional Cooking states: "The frontiers disappear between sweet and savoury, between the main ingredients and the complementary ones. The ideal means of expression is a degustation menu." It's just that few, if any, chefs have achieved this objective. The vast majority still present their savoury dishes first and their dessert dishes as an after-thought - "blurring the frontiers" perhaps with a pre-dessert.

It took a couple of pastry chefs to open Espai Sucre and put the principle fully into practice. Well, that was the theory, at least. A year ago, while I was training at Lasarte months before my appointment as Pastry Chef at Ferrero, I went to see for myself. Unfortunately, my notes have long since disappeared. But my photographs of the dishes and my memories of a truly excellent dining experience remain. Enjoy the slideshow and, next time you're in Barcelona, visit Espai Sucre for yourself and enjoy the real thing.



Last May I left Catalunya and moved south to the Valencian Autonomous Community. The capital doesn't boast a single Michelin 2* or 3* restaurant, but has no fewer than five 1* ones, two of them cited for the first time in 2009 and one in 2008. If any part of Spain can be called up-and-coming gastronomically, it's Valencia. So friends might have been well surprised one day last July to find me lunching out in one of the city's longest-established and most respected dining rooms. But they'd only question my conservatism if they failed to notice that, two decades after Óscar Torrijos first opened his eponymous restaurant, the sign outside has changed to read simply "Torrijos". There has been a generational change, with daughter Raquel taking over front of house and her husband Josep Quintana taking control of the kitchens.

It used to be difficult for me to eat out due to the fact that most Spanish restaurants operate the same timetable - open when I'm working and closed on my days off. But finding myself with the good fortune of a free Tuesday, I was able to jump into a car with my fellow chef Luis and drive to the big city for lunch. And it was to Torrijos, in the Barrio Russafa in the heart of the old town, that we headed.
Me, arriving at Restaurante Torrijos
The grandfather of modern Valencian cooking, Óscar Torrijos, opened his restaurant in the city centre in 1987 and it soon became established as one of the most elegant addresses in the city and the place to go for fine food, winning a Michelin star in 1992. Two decades later, Óscar handed over the reins to daughter Raquel and her chef husband Josep Quintana and between them they have revitalised and modernised the restaurant while maintaining the best of its traditions (and its Michelin star). Raquel runs front of house and is an accomplished sommelier - now in charge of a wine cellar focused on French, Italian, Chilean and Argentinean wines and estimated to run to some 25,000 bottles.

Chef Josep QuintanaJosep Quintana is a largely self-taught Catalan who learnt to cook in a traditional family environment. Only when he trained at some of Barcelona's finest restaurants, including Gaig and Espai Sucre, did he learn the techniques that were to underpin his subsequent professional development. His style is characterised by sourcing the very best produce and bringing together perfectly cooked components into a balanced plate. Several reviews quote the chef describing his cuisine as "Mediterranean", but I suspect that the word has been taken out of context as this does a disservice to the complexity of the menu at Torrijos. Much of Spain's cooking can be described as such because it is based on produce grown locally in the southern communities, imported into al-Andalus a millennium ago by the Arabs and Moors or discovered in Italy and the Mediterranean islands in the 14th century by the seafarers of Catalunya.

But to use the term "Mediterranean" to describe a menu often implies a loose eclecticism - whereas these menus are far more carefully constructed. At the heart of what Josep Quintana does is to strike a careful balance between recognisable local dishes rooted in Valencian tradition, the very best of the high Spanish kitchen and outside influences that elevate dishes to a contemporary global status. Med-Asian fusion might be going too far as a description of these more outward-looking dishes, but there are very recognisable Asian influences in Sr. Quintana's cooking and they show the careful selection and balance that I associate with the best of fusion food after my brief spell training with Peter Gordon.

Anyway, enough of philosophy and history - I came to Torrijos to sample the tasting menu. Their lunchtime offering is an abbreviated version of the full evening menú gastronómico - showcasing the best of Josep's creative cooking while leaving guests still fit for an afternoon's work. I've put photos of all the dishes into the Flickr display below and if you click on a given picture you'll get a description.


Interestingly, the old man isn't exactly putting his feet up and watching daytime TV. Having passed the baton to Raquel and Josep at Torrijos, Óscar has re-established Restaurante Torrijos a mile away to the northeast, just outside the city ring road in the Westin Valencia Hotel. Here Óscar has returned to his roots in the neighbourhood of Mestalla, with a bar at the entrance where you can enjoy a drink with some tapas and a small gourmet dining room. If Óscar hasn't lost the art of cooking, he hasn't lost the art of PR either. From my researches on the web, I reckon he's outdoing his daughter and son-in-law in web references to their respective restaurants!

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Monday, 1 February 2010

Adiós España... Por Ahora

Two years, four months and four days ago a Ryanair flight touched down at Girona airport and - armed with a suitcase full of clothes, my knife roll and my college diploma - I set foot on Spanish soil to begin my training as a professional chef. It was the start of a great adventure that was to take me from early days struggling to cope with the demands of a pro kitchen to the triumph of being part of a Michelin star winning team to my first appointment as a chef de partie. An adventure that led to my stages at the now Michelin 2* Lasarte at Hotel Condes, followed by an extraordinary seven months with Paco Morales at Juan Carlos Ferrero's hotel in the mountains of València where I learnt a level of kitchen discipline that exceeded anything I'd previously experienced and where I was privileged to be appointed Pastry Chef.

I can't write about my time in Spain without mentioning Barcelona's awesome Boqueria market, my first experiences with the tools of molecular gastronomy, my first real understandings of the immense scope of responsibility of a Head Chef, eating at Bilbao's inspirational Guggenheim, at Barcelona's exceptional Cinc Sentits and at Girona's perfect El Celler de Can Roca. And I have immense pride at having cooked for two of the world's greatest living chefs - El Bulli's Albert Adrià and pastry genius Paco Torreblanca.

Catalan food
But time moves on and we all come to points in our lives when it's time for a change. Last Friday night a Ryanair flight touched down at Stansted airport and, armed with my suitcase full of clothes, my knife roll, my college diploma and a whole bunch of incredible experiences, I returned to my home country. If I had my time over again, I would make exactly the same decision. Two decades ago a young chef would have packed his or her bags and set off for the world's leading culinary country of the times - France. In my era, the country any aspiring young chef was bound to head off to was France's southern neighbour. I don't regret one single minute of my time in the truly wonderful country of Spain and I'm sure I'll be back.

Who knows where the future will take me. But, starting today, I've decided to seek employment as a chef in the land of my birth. It's been great to be away. It's even better to be home again.

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